White Epilepsy

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White Epilepsy

Where do images come from? This disturbing and essential question is posed by Philippe Grandrieux, and he already imposed it on himself the start, via Sombre (1999) up to the portrait recently devoted to Masao Adachi (FID 2011). From where, then? Maybe from the depths behind our eyes, ungraspable visions, night in suspension, promise of the end of an eclipse, between dream and nightmare. This is the start (and in truth the programme) of White Epilepsy. In a darkness barely broken by light, a mass advances: a nude back, in a long shot entirely centred on the shoulders.

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Meurtrière

In the second part of the trilogy on anxiety (in continuation of White Epilepsy), the only light source that reflects on the screen is the naked human body. Its surface, full of bones and muscles, flexes and vibrates in a frantic rhythm. The livelier the reflection, the deeper a viewer feels his/her mortality, as he recognizes between the convulsions the forces he/she cannot control.

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Unrest

Unrest is the third movement of a triptych by Philippe Grandrieux whose common thread is anxiety. A body as a return from the depths of time, an archaic body that we do not know and which nevertheless continues to project in us its shadow, its anxiety.

1991

35 Up

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1985

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2022

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1978

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1993

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1977

21 Up

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2017

12 Days

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Ex Libris: The New York Public Library

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2020

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2002

Naqoyqatsi

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2018

Above Majestic

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2026

Maternal Instinct

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2018

Struggle: The Life and Lost Art of Szukalski

Artists in LA discover the work of forgotten Polish sculptor Stanislav Szukalski, a mad genius whose true story unfolds chapter by astounding chapter.