1953

I Confess

When a priest hears a murderer’s confession, he becomes bound by his vow of silence—even as circumstantial evidence turns suspicion toward him. Torn between faith and self-preservation, he faces public scandal and trial for a crime he cannot reveal the truth about.

1954

Witness to Murder

A woman fights to convince the police that she witnessed a murder while looking out her bedroom window.

1947

The Web

A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.

1949

Knock on Any Door

An attorney defends a hoodlum of murder, using the oppressiveness of the slums to appeal to the court.

1947

They Made Me a Fugitive

After being framed for a policeman's murder, a criminal escapes prison and sets out for revenge.

1956

The Killer Is Loose

A savings-and-loan bank is robbed; later, a police wiretap identifies meek bank teller Leon Poole as the inside man. In capturing him, detective Sam Wagner accidentally kills Poole's young wife, and at his trial Poole swears vengeance against Wagner. Poole begins his plans to get revenge when he escapes his captors.

1949

The File on Thelma Jordon

Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.

1957

Witness for the Prosecution

An ailing barrister is thrust back into the courtroom in what becomes one of the most unusual and eventful murder cases of the lawyer's career when he finds himself defending a man being tried for the murder of a socialite.

1946

Black Angel

A falsely convicted man's wife, Catherine, and an alcoholic composer and pianist, Martin, team up in an attempt to clear her husband of the murder of a blonde singer, who is Martin's wife.

1944

The Woman in the Window

A seductive woman gets an innocent professor mixed up in murder.

1946

Lady in the Lake

Private eye Phillip Marlowe wants to get out of the detective racket and into crime writing. But when he's called to the office of editor Adrienne Fromsett, it's not to talk about his story ideas — she wants him to locate the missing wife of her boss, Mr. Kingsby. The assignment quickly becomes complicated when bodies start turning up.

1950

Where the Sidewalk Ends

A police detective's violent nature keeps him from being a good cop.

1948

Call Northside 777

In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. McNeal to look into the case. For some time, McNeal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.

1956

Yield to the Night

Locked in her cell, a murderer reflects on the events that have led her to death row.

1953

The Hitch-Hiker

Roy and Gilbert's fishing trip takes a terrifying turn when the hitchhiker they pick up turns out to be a sociopath on the run from the law. He's killed before, and he lets the two know that as soon as they're no longer useful, he'll kill again. The two friends plot an escape, but the hitchhiker's peculiar physical affliction, an eye that never closes even when he sleeps, makes it impossible for them to tell when they can make a break for it.

1951

Cause for Alarm!

A bedridden and gravely ill man believes his wife and doctor are conspiring to kill him, and outlines his suspicions in a letter.

1942

The Glass Key

A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.

1955

Illegal

A hugely successful DA goes into private practice after sending a man to the chair -- only to find out later he was innocent. Now the drunken attorney only seems to represent criminals and low lifes.

1957

Plunder Road

A spectacular heist starts to unravel as the crooks take it on the lam.

1972

The Mechanic

Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.